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The Ocean Would Paint Me Blue: Zoulfa Katouh on Identity, Prejudice and Belonging

Text | Larissa Lumandan

Photo | Zoulfa Katouh

“I wanted to write a character whose name was Jihad, and what that truly means is and is embodied in her…I wanted to show you, not tell you, what Jihad is." Zoulfa Katouh, The New Arab

It is remarkably easy to believe we know someone before they have spoken a single word. Sometimes it is a name. Sometimes it is an accent, the clothes they wear or the beliefs we assume they hold. Long before a conversation begins, we often make up stories about people based on headlines, stereotypes and things we've heard.

But what if those stories are wrong?

This question lies at the heart of Zoulfa Katouh's latest young adult novel, The Ocean Would Paint Me Blue. Rather than confronting readers with dramatic speeches or political arguments, the Syrian-Canadian author does something far more powerful: she tells the story of one teenage girl trying to be seen for who she truly is.

Katouh first captivated readers with As Long As the Lemon Trees Grow, a bestselling novel set during the Syrian civil war that earned praise for its emotional depth and compassionate portrayal of resilience. Her latest novel shifts away from a war-torn landscape, but it explores a different kind of conflict—one that unfolds quietly in classrooms, hallways and everyday conversations.

At the centre of the story is Jihad, a 17-year-old Syrian American navigating grief after the loss of her mother while adjusting to life at an elite private school. She is also the school's only Muslim student. As she struggles to find her footing, she encounters the subtle and not-so-subtle ways prejudice shapes the lives of those who are constantly expected to explain who they are.

More than a headline

For Katouh, the novel is deeply personal. Having lived in Europe while wearing the hijab, she has spoken about the invisible burden of being perceived as a representative for an entire faith. The questions, assumptions and misconceptions she encountered became part of the inspiration behind the novel.

Yet The Ocean Would Paint Me Blue is not written as a lesson on Islamophobia. It is written as a coming-of-age story. Readers witness first love, friendships, heartbreak and self-discovery alongside moments of discrimination and misunderstanding. In doing so, Katouh gently reminds us that identity is never defined by a single characteristic. Every person carries multiple stories, even when the world insists on reducing them to one.

Perhaps the novel's most thought-provoking choice is its protagonist's name.

Outside Arabic-speaking communities, the word "jihad" has become almost inseparable from violence in popular media. Katouh deliberately challenges that perception by restoring its original meaning: striving, perseverance and the inner struggle to become a better person.

Fiction as a bridge

Katouh does not ask readers to agree with everything her characters go through. She simply asks them to listen and see the world from another person's perspective. In a world where people are often judged by labels and assumptions, perhaps this is one of literature's greatest gifts. It reminds us that every person has a story that deserves to be heard.

Sometimes, one book is enough to change the way we see others. For many readers, The Ocean Would Paint Me Blue may be that book, a reminder that understanding begins when we take the time to listen.

The Ocean Would Paint Me Blue

UP: RM57.90nett
Member: RM51.90nett

As Long As the Lemon Trees Grow

UP: RM54.90
Member: RM43.90nett

Available at POPULAR/HARRIS bookstores and POPULAR Online